Bowers & Wilkins - 600 Series Anniversary Edition 3-way Floorstanding Speaker (each) - Black

I highly recommend these speakers to anyone looking for exceptional sound quality for both music and movies. They have a sleek, classy look that complements modern room decor perfectly. I have no regrets about my purchase and am completely satisfied with these speakers.

Went in to check out the s3 bookshelf speakers and these were on clearance at 400 each with zero damage, only missing a grille and the base. So happy and who cares if they are s2s. B&W never disappoint.

I recommend these speakers to anyone , great quality over all sound for music and movies , a very classy look to go with a modern room . I don't regret anything at all with these speakers I am 100 percent satisfied

amazing sound for the money, B&W honestly made these too good. No reason to pay much more for their high tier speakers unless you have a ton of money burning a hole in your pocket. Running a 5 channel setup with all 600 series and it blows my mind every single time I sit down and listen to something

To begin with, my speakers were delivered by a freight company. The temperature outside at delivery was about 68 degrees F. I unpacked each speaker from the shipping box that the B&W 603 S2 Series Anniversary Edition arrived in and let it sit overnight before even opening the factory box so that the speakers could acclimate to the temperature in my house. By the way, the factory boxes that B&W use are seriously the best quality boxes I've ever seen. Nice thick and sturdy cardboard and inside the speakers were cradled very close cell styrofoam, with the speakers wrapped in a foam type blanket. The speakers we so well protected, that you could ship them around the world and there would not be any damage done to the speaker inside. After I let the speakers acclimate to my home for 24 hours, I opened up the boxes and proceeded to attach the stand to each speaker. The stand attaches to the speaker with 4 screws provided by B&W. The stands measure 14 1/2 D x 12 1/2 W x 1 H. The stands are made of a very high quality of MDF, and I assume the speakers are made of the same high quality MDF. Each speaker come with 4 spikes that you can use if you place your speakers on carpet. Also provided are 4 rubber feet that can be used instead of the spikes if you were to place the speakers on anything other that carpet. The spikes/rubber feet are screwed into the bottom of the base and each spike/rubber feet can be adjusted in case your flooring is not level. The grills are held in place with magnets, so you can have them off, or on depending on your preference. They are very easy to remove, or put on. The magnets are hidden under the "skin" of the speaker so there are not any unsightly holes, or hooks to see if you listen to your speakers with the grills off. I read that some people have asked what the difference is between the previous model B&W 603 and this new B&W 603 S2 Anniversary Edition. According to B&W's website, the new 603 S2 uses a "refined and upgraded version of their proven Decoupled Double Dome tweeter". Also, according to B&W's website, the 603 S2 Anniversary Edition "benefits from a new optimized crossover design featuring carefully selected components". I have not heard the previous B&W 603 speaker, so I can't compare it to the new 603 S2 Anniversary Edition. All I can say is that for the money that this speaker costs, it sounds way more expensive than it is. I listen to a wide variety of music ranging from big band, Frank Sinatra, jazz, classic rock, and quite a few European bands like Within Temptation, Nightwish and Xandria to name a few. The European bands I mentioned, their sounds are called Symphonic Metal. In my honest opinion, it's not really metal, but rock. So basically it's rock (metal) with a full symphony. And mixing the two sounds together are terrific in my opinion.. I initially hooked up the B&W 603 S2 Anniversary Edition speakers to my 5.1.4 home theater system with Marantz SR8012 receiver, Paradigm Reference Studio 100's for the fronts, Paradigm Reference CC-590 center and Paradigm ADP 390 for surrounds, SVS Prime Elevations for Atmos, and SVS PB12-Plus for my sub. I've also added an Emotiva XPA Gen 3 amp for the 3 front speakers, with the Marantz powering everything else. After removing the the front main Paradigms, I hooked up the B&W 603 S2 Anniversary Edition speakers, re-ran my calibration in the Marantz. I decided that I'd sample some various DVD Audio discs and SACD's first of all to get an idea on how the B&W's would sound with music using just the B&W's and then with the B&W's / subwoofer combo. I ran the discs through my Oppo 203 player. Listening to some Doobie Brothers, Styx, Alan Parsons Project and Fleetwood Mac. Now remember, these speakers are brand new, and not broken in yet. B&W recommends a minimum of 15 hours for their speakers to break in so that "the mechanical parts are able to attain their intended design"characteristics, according to the owners booklet. With my first listening of just the 603's by themselves without the sub, the speakers sounded very nice, but not great. Since the midrange driver is 6 inches and the two bass drivers are 6 1/2 inches each, don't expect lot's of bass from the 603's. The B&W 603's have a small 2 inch port at the bottom rear of the speaker to help aid in the bass department. And while this helps add some additional bass, I think the speakers sound much better with a sub. But I do like a bit more bass than the average person I guess. B&W also includes a foam plug if you wish to plug the rear port. I chose not to do that. I decide to fully let the speakers "break in" before doing anymore listening to music or movies. Very easy to do, just leave the radio going all day when you're at work. I did this for five days, so I put on 40+ hours of break in before seriously listening to the 603's again. This time, listening to the same music I listened to on my first initial evaluation and just listening to the speakers without the sub, they sounded like they had a tad more bass which was great and the bass was much tighter as well. But more, the tweeters along with the midrange really came alive. A cd that really lets the B&W 603 S2 Anniversary Edition speaker come alive where you can REALLY HEAR all the very subtle instruments and sounds is The Definitive Collection by The Alan Parsons Project. In the six weeks or so since I've had the B&W 603 S2 Anniversary Edition speakers, I've listed to that particular cd three times. It just sounds excellent on the 603's. Now onto how the B&W 603 S2 Anniversary Edition sound with movies in my 5.1.4 home theater. I auditioned many movies but some to mention are all of the Star Wars movies, Jumanji (with the Rock), all of the Avengers movies, Jurassic Park, and the Terminator series. Honestly. the B&W 603 did a very good job, but not as well as my Paradigm Reference Studio 100's. The Paradigms have larger speakers (3 bass, 1 midrangs) and a larger 3 1/2 port. The 603's were lacking in the lower and mid range department compared to the Paradigms. The tweeter was about equal with the Paradigms. If I did not know my sound system and I was adding the B&W 603's without ever hearing my front Paradigms, then I'd say it was a good match. If you could set up your home theater sound system with the B&W 603 S2 Anniversary Edition speakers for all your speakers, I truly think you'd have a terrific set up where all the speakers are matched. The floor standing 603 S2 Anniversary Edition, like what I have for the fronts, with the B&W HTM6 S2 Anniversary Edition for the center and the smaller 607 S2 Anniversary Edition for the surrounds. Then just add your sub.This would make an excellent sound system for BOTH music and movies. Overall, I highly recommend the B&W 603 S2 Anniversary Edition floorstanding speakers for their clarity, especially in music department. The fit and finish of the speaker itself is outstanding. Something you would find a speaker costing 2-3 times more than what the B&W 603 S2 Anniversary Edition speakers cost. And while they are truly not too expensive for the average person, what you'll hear from them sounds like a speaker costing 2-3 times what this speaker costs.

I have owned a few B &W speakers over the last 10+ years, and I have always been impressed with the beautiful midrange and the crystal clear, detailed treble. My first pair of B & W’s was the 683s, with the sharp looking yellow Kevlar midrange and grey woofers. Having gone through a varied assortment of big box store speakers and never finding something that satisfied, the original 683s were a revelation. I heard nuances and intricacies in my music that I had never heard before. After a period of time I moved to the CM series of speakers and held on to those for several years until a move forced me to sell most of my equipment off. Recently, I decided to get back into the world of budget, high-end audio, and purchased a pair of the 603 S1’s (from 2018). Just like the B & W’s I have had in past years, the 603 S1’s sounded fantastic. The midrange, instead of the colorful Kevlar of the past, was now B & W’s silver Continuum driver, an upgraded driver that does its best to remove unwanted distortions from the midrange and provide the listener with a more realistic experience. Paired to a Denon receiver, the 603 S1’s provided wonderful sound but did have their shortcomings. At times the bass was slightly bloated, and as a result the mid bass suffered. The midrange at times came off as a bit congested, and depending on the source material the treble could be sizzling hot. Still, they were my favorite speaker. At least, until the 603 S2 Anniversary Editions came along. When the opportunity arose to receive a pair of these speakers via the Best Buy Tech Insider Network, a program that provides products free of charge from vendors to members in exchange for their unbiased review, I leaped on it. Unboxing the S2’s and comparing them to the S1’s, there isn’t much different from them from a cosmetic viewpoint. They are both the same height, width, and depth; they use the same cabinet and plinth; and they have the same amount of drivers. The Bowers and Wilkins logo on the S2’s has been moved up slightly on the front of the speaker; instead of being at the bottom above the plinth, it now sits just below the bottom bass driver. Another cosmetic difference is the tweeter housing, which now has the words “600 Series Anniversary Edition” etched on the ring. It looks very cool... The grills have remained the same, and are attached magnetically. Other than that, you wouldn’t be able to tell the Series 1 and Series 2 a part. Internally, Bowers and Wilkins has swapped out the crossover for an improved version in order to improve speaker clarity. The crossover has been upgraded with higher-quality parts, and in my opinion, has made a world of difference in the 603’s sound. A crossover makes sure that the different frequencies of sound are sent to the right driver, splitting the audio signal that comes in via the speaker cables and sending it to the appropriate woofer/tweeter. A low-quality crossover can lead to smudging of sound, or a muddying of the content as it gets sent to drivers that are not intended to produce the signal they are being asked to produce. If I’ve bored you already and you don’t want to read anymore, you can stop right here with my personal opinion: The upgraded crossover network in the 603 S2 Anniversary Edition makes this the speaker to beat in the $5,000 or less category for value and sound. Yes, that’s my opinion, and I’m sticking to it! I’ve listened to the 700 series side by side with the 603 S2 Anniversary Editions, and I feel the 603 S2’s hold their own quite well. I would not have said that about the 603 S1’s. Let’s get down to listening! After I received and unboxed the new 603 S2’s, I connected them to my Denon AVR-X4700h receiver and played Spotify on a loop for 72 hours to break them in. After an additional day or two of light listening, it was time to get down to business. All music testing was done without a subwoofer and bypassing room correction. The Denon was left in Pure Direct mode. Movies were listened to with Audyssey room correction on and the 603 S2’s joined with a HTM6 S2 Anniversary Edition center channel speaker, a pair of Polk T15’s for surrounds, a Martin Logan sub, and four Sony Atmos modules. Cables to the 603 S2’s were Audioquest Rocket 11’s, and music was provided by SACDs and DVD Audios played via a Sony UBP-X800 or streamed via the HEOS app and a network-connected hard drive. I experimented with speaker positioning and found that the best results in my room were 6” off of the front wall, 9’ apart, 9’ away from the listening position, and only slightly toed in. Surprisingly, even being that close to the wall, the 603 S2 bass never got boomy. It remained defined no matter what material I threw at them. First up was Loreena McKennitt, a Celtic/New World artist with a gorgeous voice and a love of throwing as many unique instruments as possible into a mix. One of her songs, Marco Polo (from Book of Secrets), is a real challenge for speakers. There are something like 46 instruments being played at any given time, and on the wrong set of speakers, Loreena’s voice can be piercing and all those instruments get blurred together. The 603 S2’s handled this track with ease. I never once felt fatigued, and the song sounded as good as I had ever heard it. I reached near 95dB and the S2’s never lost their composure. Next up was Loreena’s Gates of Instanbul, a track with deep, impacting bass that generally requires a subwoofer to be heard. When the bass hits began, and I heard how deep and accurate they were, I had to get up and check to make sure I hadn’t somehow turned on the subwoofer. It was off. The 603 S2 Anniversary Edition speakers can get low and they sound great doing it. I’ve never heard this level of low frequency ability in a speaker, not since I owned a pair of Definitive Technology super towers. I cycled through my faves, songs I was intimately familiar with. Pink Floyd’s Meddle may not be their most popular album, but the track Fearless is an acoustical masterpiece. As I listened, I turned to my son (who was like, I want to hear these too!) and said, “I don’t think that drummer is using sticks. He must be using brushes!” I’ve heard this song a thousand times and never picked out that nuance. My son looked it up on Google, and said, “You’re right, he’s using brushes for this song.” The definition and clarity provided by the 603 S2 Anniversary Edition speakers is astonishing. Pink Floyd’s The Final Cut has a track called Paranoid Eyes that mixes tons of background public noise such as laughing, talking, and walking in with Roger Waters’ vocals, a piano, and bass. The 603 S2’s placed each sound within the mix expertly, and I could even hear Roger Waters’ lips smack as he opened them to sing. And when the last few measures of the piano occurred near the end of the song, you could feel the bass coming out of the grand piano that was used. No matter what I listened to, the experience with the 603 S2’s and music was sublime. Fleetwood Mac’s Never Going Back Again revealed the sound of the picks on the guitar strings. Tusk, off of the Tusk album, and performed with a marching band, gave great weight to the toms in the mix, you could feel and hear the impact of the stick on the drums. A very cool experience. Elton John’s Curtains, off of Captain Fantastic and the Dirt Brown Cowboy showcases the 603 S2’s ability to demonstrate how awesome a good drum kit can sound. And finally, my ultimate torture test for any set of speakers is Tool’s 46 and 2, a song that can practically melt your ears on a set of speakers that isn’t up to the task. Compared to the 603 S1’s, the S2 Anniversary Edition speakers rocked this song. About midway through the track, when Danny Carey’s double kick starts jamming, and he is rolling from one side to the other on his toms/snare, you can hear every hit, every impact, and a subwoofer was not needed. I should mention the soundstage here too. The 603 S2 soundstage was wide, so wide I would swear that I had my surround speakers on. I felt like in each song I could place exactly where the instruments were at, and singers’ voices were dead center. The 603 S2’s had the ability to sound like a surround sound system with just two speakers. They filled my 15’ by 25’ room with ease. I couldn’t tell as much of a difference between the Series 1 and Series 2 speakers when it came to movie watching. We watched the opening sequence of the Fellowship of the Ring and also the opening sequence of James Bond’s Casino Royale. Both, in my opinion, are reference soundtracks to use to judge systems by. The 603 S2’s had no issues belting out the sounds and music provided by these movies, and I could find no fault in them. In case you can’t tell, I loved my experience with the 603 S2 Anniversary Edition towers. These speakers are insightful, impactful, detailed, and are an amazing value. Some might ask if it is worth the extra money, if you have a pair of the 603 Series 1’s, to upgrade to the Series 2. For me, the answer is yes. The new crossovers create a speaker that competes with the 700 series. Bass is more defined, the congestion in the midrange from the earlier model is gone, and the treble is sweet and clear. I exceeded 85 dB for the majority of my listening, and as I mentioned before, I hit 95 dB more than a few times. Through it all, the 603 S2’s held their composure and provided one of the best listening experiences I have had with a speaker thus far. I highly recommend them for music listening, and they have the added benefit of working great for movies too.

Bowers & Wilkins (B&W) has released their 600 Anniversary series speakers and what an impressive set of speakers they are. Contents of this package is the 603 S2 speaker (1 per box), base mounting hardware, base, magnetic mesh screen, 2-size foam plug for bass port, and installation/build instructions. They come with a 5-year warranty on parts & labor. Disclaimer: I have 2 of these 603 S2 floor speakers and the B&W HTM6 center channel for this anniversary series hooked up with a Klipsch subwoofer, rear Infinity surround speakers, and a Yamaha RX-V685 7.2 channel receiver. I am replacing a 20-yr old set of great-sounding and vintage BOSE 701 floor speakers and BOSE VCS-10 center channel. PROS: ----------- * Great look, well built, solid chassis, construction materials used are of high quality. * I set up my speaker sound using the given Yamaha receiver YPAO microphone. This should be done whenever speaker sets are changed out. After going through that sequence of events, I ended up increasing the center channel volume along with rear speaker volume in order to hear the surround items better and especially the talking in movies better. Once adjusted, these floor speakers really brought out the sound of some blockbuster hits including Wonder Woman 84 on Christmas Day, Gladiator, and Soul (Pixar movie). I played a few other hits on HBOmax and the sound was phenomenal. * Sound was very crisp on left/right scenes as surround sound dictated. You can tell that the crossovers are doing their job because specific sounds are coming out loud and clear on each individual woofer. The highs from the tweeters really couldn't be better. * I listened to some digital music including piano, R&B, classic rock, special effects, and country. With each genre, I felt like I was in the middle of a concert. This was done without the use of the surround sound speakers. It was that good. * The magnetic speaker grills are easily removable and look good on OR off. Be careful though, because these grills are extremely thin and made of plastic and could possibly break easily. * Attaching the base was quick and easy. Hook-up was easy as it's only 2 wires in most applications. * These speakers do allow for 2 separate amplifier connections (2 red posts and 2 black posts) if needed. CONS: ----------- * This is a first - I cannot think of a single "con" for this product. They are THAT good and THAT impressive. OTHER OBSERVATIONS: ----------------------------------- * Make sure you allow for about a week for the sound of your speakers to fall into place with the "breaking-in" period. The speakers need to operate at softer/normal levels before sending them a great deal of power. This includes getting the speakers acclimated to the temperature of your home. * The speakers themselves will be more dependent on which receiver you use rather than the speaker itself for incredible/great sound. If you use a subpar receiver/amplifier, your sound will be that as well, regardless of speaker quality. If you want these speakers to cry out to you in a good way, invest in a good receiver with ample power. Even though these speakers provide a great balance of sound, including bass, it is still, in my opinion, better to have a separate bass subwoofer (or two for some rooms) to aid with sound quality in the extreme low-band frequencies. * These speakers come with both carpet spikes (to hold in place) or rubber feet if used on hardwoods/tile. Personally, I like the rubber feet even on carpet. They are so heavy (each is ~60 lbs), that they are not moving anywhere. If they need to be moved or adjusted with rubber feet used, it can be done easily without having to pick up (if using the spikes). * These speakers are installed onto a wooden base. This base is static and does NOT swivel. * I did not have a need for using the foam bass woofer plug provided. CONCLUSION: =================== Unlike other products like TVs, receivers, computers, cars, and appliances, SPEAKERS are a very simple thing to actually "use". You literally hook them up with 2 wires, and the way they sound is really more dependent on the receiver you have driving them. They might sound good or bad depending on your receiver and sound setup characteristics. Please use a quality receiver to make these things sing! If you don't, then you are losing a ton of specific sounds these speakers can provide at high quality. After 20 years of my vintage BOSE 701's, this upgrade was well worth it and I highly recommend these incredible-sounding speakers.

I had these tower speakers bi-amp wired and the sound is amazing!